Category Archives: Table Of Contents
Spring 2014, Vol. 73, No. 1
Artist’s Project Karen L. Schiff, Counter to Type Drawings appear on the front and back covers of this issue, on pages 2-3, on pages 5–11 with the artist’s essay, “Connecting the Dots/Hijacking Typography,” and in the Reviews section, pages 76–85.
Spring 2014, Vol. 73, No. 1
Artist’s Project Karen L. Schiff, Counter to Type Drawings appear on the front and back covers of this issue, on pages 2-3, on pages 5–11 with the artist’s essay, “Connecting the Dots/Hijacking Typography,” and in the Reviews section, pages 76–85.
Winter 2012, Vol. 71, No. 4
In This Issue Katy Siegel, Shaping the Glass, 5 Artist’s Project Tomma Abts, Untitled, 8 Features Christine Mehring, Richter’s Willkür, 20 Carrie Moyer, Zero to the Bone: Louise Fishman Speaks with Carrie Moyer, 36 Elyse Speaks, The Terms of Craft
Winter 2012, Vol. 71, No. 4
In This Issue Katy Siegel, Shaping the Glass, 5 Artist’s Project Tomma Abts, Untitled, 8 Features Christine Mehring, Richter’s Willkür, 20 Carrie Moyer, Zero to the Bone: Louise Fishman Speaks with Carrie Moyer, 36 Elyse Speaks, The Terms of Craft
Summer 2013, Vol. 72, No. 2
Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives
Summer 2013, Vol. 72, No. 2
Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives
Spring 2013, Vol. 72, No.1
Editor’s Note Lane Relyea, 5 Features Peggy Wang, Art Critics as Middlemen: Navigating State and Market in Contemporary Chinese Art, 1980s–1990s, 6 Michael Jay McClure, If It Need Be Termed Surrender: Trisha Donnelly’s Subjunctive Case, 20 Artist’s Project Moyra Davey,
Spring 2013, Vol. 72, No.1
Editor’s Note Lane Relyea, 5 Features Peggy Wang, Art Critics as Middlemen: Navigating State and Market in Contemporary Chinese Art, 1980s–1990s, 6 Michael Jay McClure, If It Need Be Termed Surrender: Trisha Donnelly’s Subjunctive Case, 20 Artist’s Project Moyra Davey,
Fall 2012, Vol. 71, No. 3
In This Issue Katy Siegel, Attention Deficit, 5 Features Chris Balaschak, Planet of the Apes: John Szarkowski, My Lai, and The Animals, 6 Adele Nelson, Sensitive and Nondiscurive Things: Lygia Pape and the Reconception of Printmaking, 26 Pamela N. Corey,Crafted
Fall 2012, Vol. 71, No. 3
In This Issue Katy Siegel, Attention Deficit, 5 Features Chris Balaschak, Planet of the Apes: John Szarkowski, My Lai, and The Animals, 6 Adele Nelson, Sensitive and Nondiscurive Things: Lygia Pape and the Reconception of Printmaking, 26 Pamela N. Corey,Crafted
Winter 2013, Vol. 72, No. 4
Artist’s Project Jeanne Dunning,Tom Thumb, the New Oedipus, 5 Features Forum: Sexing Sculpture: New Approaches to Theorizing the Object Jillian Hernandez and Susan Richmond, Introduction, 27 Rachel Lachowicz, Portfolio: Material Specificity and the Index of the Feminine, 30 Rachel Middleman,Rethinking
Winter 2013, Vol. 72, No. 4
Artist’s Project Jeanne Dunning,Tom Thumb, the New Oedipus, 5 Features Forum: Sexing Sculpture: New Approaches to Theorizing the Object Jillian Hernandez and Susan Richmond, Introduction, 27 Rachel Lachowicz, Portfolio: Material Specificity and the Index of the Feminine, 30 Rachel Middleman,Rethinking
Fall 2013, Vol. 73, No. 3
Karin Higa: A Collage of Remembrances, 5 Artist’s Project Sara Greenberger Rafferty, Grabs, 1, 47, 64, 82, 91, 104 Features Matthew Goulish, “A Clear Day and No Memories”: Neurology, Philosophy, and Analogy in Kerry Tribe’s H.M., 12 Atreyee Gupta, In
Fall 2013, Vol. 73, No. 3
Karin Higa: A Collage of Remembrances, 5 Artist’s Project Sara Greenberger Rafferty, Grabs, 1, 47, 64, 82, 91, 104 Features Matthew Goulish, “A Clear Day and No Memories”: Neurology, Philosophy, and Analogy in Kerry Tribe’s H.M., 12 Atreyee Gupta, In
Summer 2013, Vol. 72, No. 2
Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives
Summer 2013, Vol. 72, No. 2
Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives
Summer 2012, Vol. 71, No. 2
In This Issue Katy Siegel, What are you working on?, 5 Artist’s Project Lorraine O’Grady, This Will Have Been: My 1980s, 6 Features Kate Mondloch, The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism, 18 Alex
Summer 2012, Vol. 71, No. 2
In This Issue Katy Siegel, What are you working on?, 5 Artist’s Project Lorraine O’Grady, This Will Have Been: My 1980s, 6 Features Kate Mondloch, The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism, 18 Alex
Spring 2012, Vol. 71, No. 1
In This Issue Katy Siegel, Art, History, and Criticicsm, 5 Artist’s Project Allen Ruppersberg, PST: Before and After Features Andrew Perchuk, Thomas Crow, and Howard Singerman, Pacific Standard Time: A Preliminary Conversation, 8 Connie Butler, This is Art–These People Are
Spring 2012, Vol. 71, No. 1
In This Issue Katy Siegel, Art, History, and Criticicsm, 5 Artist’s Project Allen Ruppersberg, PST: Before and After Features Andrew Perchuk, Thomas Crow, and Howard Singerman, Pacific Standard Time: A Preliminary Conversation, 8 Connie Butler, This is Art–These People Are
Winter 2011, Vol. 70, No. 4
In This Issue Katy Siegel, In Print, 5 Artist’s Project Matthew Brannon, Pressing the “Delete” button, not pressing the “Are you sure you want to delete?” button, covers Centennial Essay Sarah Suzuki, Print People: A Brief Taxonomy of Contemporary Printmaking, 6
Winter 2011, Vol. 70, No. 4
In This Issue Katy Siegel, In Print, 5 Artist’s Project Matthew Brannon, Pressing the “Delete” button, not pressing the “Are you sure you want to delete?” button, covers Centennial Essay Sarah Suzuki, Print People: A Brief Taxonomy of Contemporary Printmaking, 6
Fall 2011, Vol. 70, No. 3
In This Issue Katy Siegel, Reconstruction, 5 Centennial Essay Krista Thompson, A Sidelong Glance: The Practice of African Diaspora Art History in the United States, 6 Forum: Performance, Live or Dead Amelia Jones, Introduction, 32 Ron Athey, Getting It Right
Fall 2011, Vol. 70, No. 3
In This Issue Katy Siegel, Reconstruction, 5 Centennial Essay Krista Thompson, A Sidelong Glance: The Practice of African Diaspora Art History in the United States, 6 Forum: Performance, Live or Dead Amelia Jones, Introduction, 32 Ron Athey, Getting It Right
Summer 2011, Vol. 70, No. 2
In This Issue Katy Siegel, Making Time, 5 Centennial Essay Nora A. Taylor, Art without History? Southeast Asian Artists and Their Communities in the Face of Geography, 6 Free Time Joe Scanlan Free Time: An Introduction, 24 Dexter Sinister, A Note
Summer 2011, Vol. 70, No. 2
In This Issue Katy Siegel, Making Time, 5 Centennial Essay Nora A. Taylor, Art without History? Southeast Asian Artists and Their Communities in the Face of Geography, 6 Free Time Joe Scanlan Free Time: An Introduction, 24 Dexter Sinister, A Note
Spring 2011, Vol. 70, No. 1
In This Issue Katy Siegel, Race to the Finish, 5 Artist’s Project Paul Sietsema, covers Centennial Essay Richard Shiff, Every Shiny Object Wants an Infant Who Will Love It, 6 Features Saloni Mathur, Charles and Ray Eames in India, 34
Spring 2011, Vol. 70, No. 1
In This Issue Katy Siegel, Race to the Finish, 5 Artist’s Project Paul Sietsema, covers Centennial Essay Richard Shiff, Every Shiny Object Wants an Infant Who Will Love It, 6 Features Saloni Mathur, Charles and Ray Eames in India, 34
Winter 2010, Vol. 69, No. 4
In This Issue Katy Siegel, Something Totally Unpredictable, 5 Features Kerry James Marshall, Adrift, Infinity, or Oblivion, from Dailies, Inside Cover Kelly Baum, Santiago Sierra: How to Do Things with Words, 6 Forum: Land Use in Contemporary Art Kirsten Swenson,
Winter 2010, Vol. 69, No. 4
In This Issue Katy Siegel, Something Totally Unpredictable, 5 Features Kerry James Marshall, Adrift, Infinity, or Oblivion, from Dailies, Inside Cover Kelly Baum, Santiago Sierra: How to Do Things with Words, 6 Forum: Land Use in Contemporary Art Kirsten Swenson,
Winter 1998, Vol. 57, No. 4
Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2 Michael Brenson, The Curator’s Moment, 16 Mónica Amor, Okwui Enwezor, Gao Minglu, Oscar Ho, Kobena Mercer, Irit Rogoff, Liminalities: Discussions
Winter 1998, Vol. 57, No. 4
Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2 Michael Brenson, The Curator’s Moment, 16 Mónica Amor, Okwui Enwezor, Gao Minglu, Oscar Ho, Kobena Mercer, Irit Rogoff, Liminalities: Discussions
Fall 1998, Vol. 57, No. 3
Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing Race: A Lifelong Process and Training, 2 Kenseth Armstead, Surface Tensions, 4 Eduardo de Jesús Douglas, The Colonial Self: Homosexuality
Fall 1998, Vol. 57, No. 3
Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing Race: A Lifelong Process and Training, 2 Kenseth Armstead, Surface Tensions, 4 Eduardo de Jesús Douglas, The Colonial Self: Homosexuality
Summer 1998, Vol. 57, No. 2
From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers: A Conversation with Janet A. Kaplan, 5 Features Doug Ashford, The Exhibition as an Artistic Medium, 28 Christina Hill’s
Summer 1998, Vol. 57, No. 2
From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers: A Conversation with Janet A. Kaplan, 5 Features Doug Ashford, The Exhibition as an Artistic Medium, 28 Christina Hill’s
Spring 1998, Vol. 57, No. 1
The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to the Present, 2 Articles Roger J. Crum, Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and
Spring 1998, Vol. 57, No. 1
The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to the Present, 2 Articles Roger J. Crum, Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and
Winter 1999, Vol. 58, No. 4
In This Issue Janet A. Kaplan, 3 Responses Vasif Kortun and Judith Mastai, 4 Benefit Print Maura Reilly, Notes on Kiki Smiths Fall/Winter, 6 Features Mira Schor, Contemporary Feminism: Art Practice, Theory, and ActivismAn Intergenerational Perspective (Emma Amos, Susan Bee,
Winter 1999, Vol. 58, No. 4
In This Issue Janet A. Kaplan, 3 Responses Vasif Kortun and Judith Mastai, 4 Benefit Print Maura Reilly, Notes on Kiki Smiths Fall/Winter, 6 Features Mira Schor, Contemporary Feminism: Art Practice, Theory, and ActivismAn Intergenerational Perspective (Emma Amos, Susan Bee,
Fall 1999, Vol. 58, No. 3
In This Issue Janet A. Kaplan, On Translation, 3 Responses Patricia Phillips and Maxine Payne Caulfield, 4 Contemporary Indian Art Guest edited by Andrew L. Cohen and Marcella C. Sirhandi Guest Editors’ Statements, 7 Andrew L. Cohenm, Contemporary Indian Painting:
Fall 1999, Vol. 58, No. 3
In This Issue Janet A. Kaplan, On Translation, 3 Responses Patricia Phillips and Maxine Payne Caulfield, 4 Contemporary Indian Art Guest edited by Andrew L. Cohen and Marcella C. Sirhandi Guest Editors’ Statements, 7 Andrew L. Cohenm, Contemporary Indian Painting:
Summer 1999, Vol. 58, No. 2
In This Issue John Alan Farmer, 3 Responses Russell Ferguson and Naomi Sawelson-Gorse, 4 Features Janet A. Kaplan, Deeper and Deeper: Interview with Marina Abramovic, 6 Carol Becker, The Romance of Nomadism: A Series of Reflections, 22 Olu Oguibe, Finding
Summer 1999, Vol. 58, No. 2
In This Issue John Alan Farmer, 3 Responses Russell Ferguson and Naomi Sawelson-Gorse, 4 Features Janet A. Kaplan, Deeper and Deeper: Interview with Marina Abramovic, 6 Carol Becker, The Romance of Nomadism: A Series of Reflections, 22 Olu Oguibe, Finding
Spring 1999, Vol. 58, No. 1
Rethinking Studio Art Education Guest edited by Pamela Wye Program-Wide Initiatives Kate Morrison Catterall and Helen Maria Nugent, W.A.R.P.: A Radical Solution to Teaching Foundations, 4 Carol Becker, The Art of Crossing the Street, 10 G. Roy Levin, Art Education
Spring 1999, Vol. 58, No. 1
Rethinking Studio Art Education Guest edited by Pamela Wye Program-Wide Initiatives Kate Morrison Catterall and Helen Maria Nugent, W.A.R.P.: A Radical Solution to Teaching Foundations, 4 Carol Becker, The Art of Crossing the Street, 10 G. Roy Levin, Art Education
Winter 2000, Vol. 59, No. 4
In This Issue Janet A. Kaplan, 3 Responses Bradley Rubenstein, 4 Network Society Gregg Bordowitz, 5 Features Crossing Boundaries in Cyberspace? The Politics of “Body and Language” after the Emergence of New Media Guest Edited by Ursula Frohne and Christian
Winter 2000, Vol. 59, No. 4
In This Issue Janet A. Kaplan, 3 Responses Bradley Rubenstein, 4 Network Society Gregg Bordowitz, 5 Features Crossing Boundaries in Cyberspace? The Politics of “Body and Language” after the Emergence of New Media Guest Edited by Ursula Frohne and Christian
Fall 2000, Vol. 59, No. 3
In This Issue Janet A. Kaplan, 3 Features France Morin, The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Axé, 4 Moira Roth, Of Self and History: Exchanges with Linda Nochlin, 18 John Alan Farmer, Through the Labyrinth:
Fall 2000, Vol. 59, No. 3
In This Issue Janet A. Kaplan, 3 Features France Morin, The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Axé, 4 Moira Roth, Of Self and History: Exchanges with Linda Nochlin, 18 John Alan Farmer, Through the Labyrinth:
Summer 2000, Vol. 59, No. 2
In This Issue Janet A. Kaplan, 3 Responses Miriam Schapiro, 4 Conversation Janet A. Kaplan with Bracken Hendricks, Geoffrey Hendricks, Hannah Higgins, Alison Knowles, Flux Generations, 6 Features Roxana Marcoci, The Anti-Historicist Approach: Brancusi, “Our Contemporary”, 18 Charles Green, Doppelgangers
Summer 2000, Vol. 59, No. 2
In This Issue Janet A. Kaplan, 3 Responses Miriam Schapiro, 4 Conversation Janet A. Kaplan with Bracken Hendricks, Geoffrey Hendricks, Hannah Higgins, Alison Knowles, Flux Generations, 6 Features Roxana Marcoci, The Anti-Historicist Approach: Brancusi, “Our Contemporary”, 18 Charles Green, Doppelgangers
Spring 2000, Vol. 59, No. 1
In This Issue John Alan Farmer, 3 Features Valerie Cassel, France Morin, Apinan Poshyandanda, Mari Carmen Ramírez, Caroline Turner, Igor Zabel, Beyond Boundaries: Rethinking Contemporary Art Exhibitions, 4 John Alan Farmer, The Experimental Exercise of Freedom: A Conversation with Rina
Spring 2000, Vol. 59, No. 1
In This Issue John Alan Farmer, 3 Features Valerie Cassel, France Morin, Apinan Poshyandanda, Mari Carmen Ramírez, Caroline Turner, Igor Zabel, Beyond Boundaries: Rethinking Contemporary Art Exhibitions, 4 John Alan Farmer, The Experimental Exercise of Freedom: A Conversation with Rina
Winter 2001, Vol. 60, No. 4
In This Issue Janet A. Kaplan, 2 Responses Keith Townsend Obadike, 4 Features Joanna Roche, Performing Memory in Moon in a Tree: Carolee Schneemann Recollects Joseph Cornell, 6 Igor Zabel, Women in Black, 16 Laura Auricchio, Works in Translation: Ghada
Winter 2001, Vol. 60, No. 4
In This Issue Janet A. Kaplan, 2 Responses Keith Townsend Obadike, 4 Features Joanna Roche, Performing Memory in Moon in a Tree: Carolee Schneemann Recollects Joseph Cornell, 6 Igor Zabel, Women in Black, 16 Laura Auricchio, Works in Translation: Ghada
Fall 2001, Vol. 60, No. 3
In This Issue Janet A. Kaplan, Beyond Words, 3 Responses Ernesto Pujol, 4 Network Society Gregg Bordowitz, 7 Features Mary Katherine Coffey, Histories that Haunt: A Conversation with Ann Hamilton, 10 Joanna Frueh, Bloodred Beauty: A Meditation on Mel Gibson’s
Fall 2001, Vol. 60, No. 3
In This Issue Janet A. Kaplan, Beyond Words, 3 Responses Ernesto Pujol, 4 Network Society Gregg Bordowitz, 7 Features Mary Katherine Coffey, Histories that Haunt: A Conversation with Ann Hamilton, 10 Joanna Frueh, Bloodred Beauty: A Meditation on Mel Gibson’s
Summer 2001, Vol. 60, No. 2
In This Issue John Alan Farmer Responses Caroline Arscott, 4 Network Society Gregg Bordowitz, 6 Features Connie Butler, Saskia Sassen, Gavin Hipkins, Lee Weng Choy, Allan Sekula, Flight Patterns, 9 Moira Roth, Obdurate History: Dinh Q. Lê, the Vietnam War,
Summer 2001, Vol. 60, No. 2
In This Issue John Alan Farmer Responses Caroline Arscott, 4 Network Society Gregg Bordowitz, 6 Features Connie Butler, Saskia Sassen, Gavin Hipkins, Lee Weng Choy, Allan Sekula, Flight Patterns, 9 Moira Roth, Obdurate History: Dinh Q. Lê, the Vietnam War,
Spring 2001, Vol. 60, No. 1
In This Issue Janet A. Kaplan and John Alan Farmer, 3 Artist’s Project Ellen Rothenberg, Restless Mobility, 4 Responses Ellen K. Levy, 6 Network Society Gregg Bordowitz, 10 Features Jens Liebchen, Power Station for Art vs. Art for Power Station,
Spring 2001, Vol. 60, No. 1
In This Issue Janet A. Kaplan and John Alan Farmer, 3 Artist’s Project Ellen Rothenberg, Restless Mobility, 4 Responses Ellen K. Levy, 6 Network Society Gregg Bordowitz, 10 Features Jens Liebchen, Power Station for Art vs. Art for Power Station,
Winter 2002, Vol. 61, No. 4
In This Issue Patricia C. Phillips, At This Time, 3 Features and Artists’ Projects Kevin Chua, Simryn Gill and Migration’s Capital, 4 Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22 Martin Gantman, See you when we get home, 36
Winter 2002, Vol. 61, No. 4
In This Issue Patricia C. Phillips, At This Time, 3 Features and Artists’ Projects Kevin Chua, Simryn Gill and Migration’s Capital, 4 Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22 Martin Gantman, See you when we get home, 36
Fall 2002, Vol. 61, No. 3
In This Issue Janet A. Kaplan, 3 Artist’s Project Ben Katchor, Hotel & Farm, 4 Features Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7 Hattie Gordon, Anne Wilson’s Feast, 23 Daniel Rosenberg, One Small Step (for
Fall 2002, Vol. 61, No. 3
In This Issue Janet A. Kaplan, 3 Artist’s Project Ben Katchor, Hotel & Farm, 4 Features Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7 Hattie Gordon, Anne Wilson’s Feast, 23 Daniel Rosenberg, One Small Step (for
Summer 2002, Vol. 61, No. 2
In This Issue Janet A. Kaplan, 3 Artist’s Project Doug Fishbone, A Giant Pile of Bananas—Can You Dig It? Features
Summer 2002, Vol. 61, No. 2
In This Issue Janet A. Kaplan, 3 Artist’s Project Doug Fishbone, A Giant Pile of Bananas—Can You Dig It? Features
Spring 2002, Vol. 61, No. 1
In This Issue Janet A. Kaplan, 3 Features Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4 Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26 Catherine Lord, From
Spring 2002, Vol. 61, No. 1
In This Issue Janet A. Kaplan, 3 Features Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4 Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26 Catherine Lord, From
Winter 2003, Vol. 62, No. 4
In This Issue Patricia C. Phillips, Why We Should Care, 3 Forum Robin Greeley, Ancient Iraq, Contemporary Crisis, 6 Zainab Bahrani, Iraq’s Cultural Heritage: Monuments, History, and Loss, 10 Harriet Crawford, The Crumbling of an Ivory Tower, 18 John Malcolm
Winter 2003, Vol. 62, No. 4
In This Issue Patricia C. Phillips, Why We Should Care, 3 Forum Robin Greeley, Ancient Iraq, Contemporary Crisis, 6 Zainab Bahrani, Iraq’s Cultural Heritage: Monuments, History, and Loss, 10 Harriet Crawford, The Crumbling of an Ivory Tower, 18 John Malcolm
Fall 2003, Vol. 62, No. 3
In This Issue Patricia C. Phillips, Close Encounters, 3 Thematic Investigation: Photography and the Paranormal Paranormal Portfolio, 4 Mark Alice Durant, The Blur of the Otherworldly, 6 Louis Kaplan, Where the Paranoid Meets the Paranormal: Speculations on Spirit Photography, 18
Fall 2003, Vol. 62, No. 3
In This Issue Patricia C. Phillips, Close Encounters, 3 Thematic Investigation: Photography and the Paranormal Paranormal Portfolio, 4 Mark Alice Durant, The Blur of the Otherworldly, 6 Louis Kaplan, Where the Paranoid Meets the Paranormal: Speculations on Spirit Photography, 18
Summer 2003, Vol. 62, No. 2
In This Issue Patricia C. Phillips, At Last We Can No Longer Predict the Futuer 3 Features, Interviews, Conversations Antony Hudek, Excavating the Body Politic: An Interview with Conrad Atkinson, 4 Nicholas Mirzoeff, Newpapers, with a portfolio of artists’ works
Summer 2003, Vol. 62, No. 2
In This Issue Patricia C. Phillips, At Last We Can No Longer Predict the Futuer 3 Features, Interviews, Conversations Antony Hudek, Excavating the Body Politic: An Interview with Conrad Atkinson, 4 Nicholas Mirzoeff, Newpapers, with a portfolio of artists’ works
Spring 2003, Vol. 62, No. 1
In This Issue Patricia C. Phillips, In This Issue: Reflections, 3 Thematic Investigation Simon Leung, … and there I am: Andy Warhol and the Ethics of Identification, 4 Marc Siegel, Doing It for Andy, 6 Taro Nettleton, White-on-White: The Overbearing
Spring 2003, Vol. 62, No. 1
In This Issue Patricia C. Phillips, In This Issue: Reflections, 3 Thematic Investigation Simon Leung, … and there I am: Andy Warhol and the Ethics of Identification, 4 Marc Siegel, Doing It for Andy, 6 Taro Nettleton, White-on-White: The Overbearing
Winter 2004, Vol. 63, No. 4
In This Issue Patricia C. Phillips, Unsettled Imaginations, 3 Feature Raymond Spiteri, Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes, 4 Artist Project Sze Tsung Leong, History Images, 19 Christopher Phillips, Drastic Urbanization: The Photographs of Sze
Winter 2004, Vol. 63, No. 4
In This Issue Patricia C. Phillips, Unsettled Imaginations, 3 Feature Raymond Spiteri, Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes, 4 Artist Project Sze Tsung Leong, History Images, 19 Christopher Phillips, Drastic Urbanization: The Photographs of Sze
Fall 2004, Vol. 63, No. 3
In This Issue Patricia C. Phillips, Art and Risk, 3 Features Alejandro Anreus, The Road to Dystopia: The Paintings of Antonia Eiriz, 4 Branislav Jakovljevic, Unframe Malevich!—Ineffability and Sublimity in Suprematism, 18 Artist Project Eve Andrée Laramée, Netherzone: A Psychogeographical
Fall 2004, Vol. 63, No. 3
In This Issue Patricia C. Phillips, Art and Risk, 3 Features Alejandro Anreus, The Road to Dystopia: The Paintings of Antonia Eiriz, 4 Branislav Jakovljevic, Unframe Malevich!—Ineffability and Sublimity in Suprematism, 18 Artist Project Eve Andrée Laramée, Netherzone: A Psychogeographical
Summer 2004, Vol. 63, No. 2
In This Issue Patricia C. Phillips, Questions of Influence: Influence of Questions, 3 Feature Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle, 4 Thematic Investigation, James Meyer and Toni RossAesthetic/Anti-Aesthetic: An Introduction, 20 Arthur C. Danto,
Summer 2004, Vol. 63, No. 2
In This Issue Patricia C. Phillips, Questions of Influence: Influence of Questions, 3 Feature Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle, 4 Thematic Investigation, James Meyer and Toni RossAesthetic/Anti-Aesthetic: An Introduction, 20 Arthur C. Danto,
Spring 2004, Vol. 63, No. 1
In This Issue Patricia C. Phillips, Aesthetic Practices, 3 Features Janine Mileaf, Between You and Me: Man Ray’s “Object to be Destroyed”, 4 Jordana Mendelson, Joan Miró’s “Drawing-Collage,” August 8, 1933: The “Intellectual Obscenities” of Postcards, 24 Project Nato Thompson,
Spring 2004, Vol. 63, No. 1
In This Issue Patricia C. Phillips, Aesthetic Practices, 3 Features Janine Mileaf, Between You and Me: Man Ray’s “Object to be Destroyed”, 4 Jordana Mendelson, Joan Miró’s “Drawing-Collage,” August 8, 1933: The “Intellectual Obscenities” of Postcards, 24 Project Nato Thompson,
Winter 2005, Vol. 64, No. 4
In This Issue Patricia C. Phillips, Reconciliations: New Views and Re-views, 3 Artist Project Mary Lum, 64 Scenes (with an essay by Steven Nelson), 4 Features Roxana Marcoci, Perceptions at Play: Giacometti through Contemporary Eyes, 6 Rebecca M. Brown, P.T.
Winter 2005, Vol. 64, No. 4
In This Issue Patricia C. Phillips, Reconciliations: New Views and Re-views, 3 Artist Project Mary Lum, 64 Scenes (with an essay by Steven Nelson), 4 Features Roxana Marcoci, Perceptions at Play: Giacometti through Contemporary Eyes, 6 Rebecca M. Brown, P.T.
Fall 2005, Vol. 64, No. 3
In This Issue Patricia C. Phillips, Something to Talk About, 3 Artist Project Barbara Bloom, Commemorative Stamps, Art Journal 1929–2005, 4 Features Patricia C. Phillips, The Aesthetics of Witnessing: A Conversation with Alfredo Jaar, 6 David Levi Strauss and Daniel
Fall 2005, Vol. 64, No. 3
In This Issue Patricia C. Phillips, Something to Talk About, 3 Artist Project Barbara Bloom, Commemorative Stamps, Art Journal 1929–2005, 4 Features Patricia C. Phillips, The Aesthetics of Witnessing: A Conversation with Alfredo Jaar, 6 David Levi Strauss and Daniel
Summer 2005, Vol. 64, No. 2
In This Issue Patricia C. Phillips, Questions of Seeing, 3 Features Peter Erickson, Respeaking Othello in Fred Wilson’s Speak of Me as I Am, 4 Natalie Kosoi, Nothingness Made Visible: The Case of Rothko’s Paintings, 20 Peggy Phelan, Kevin Concannon,
Summer 2005, Vol. 64, No. 2
In This Issue Patricia C. Phillips, Questions of Seeing, 3 Features Peter Erickson, Respeaking Othello in Fred Wilson’s Speak of Me as I Am, 4 Natalie Kosoi, Nothingness Made Visible: The Case of Rothko’s Paintings, 20 Peggy Phelan, Kevin Concannon,
Spring 2005, Vol. 64, No. 1
In This Issue Patricia C. Phillips, Art of Attention, 3 Features Steven Nelson, Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode, 4 Elizabeth Mansfield, The New Iconoclasm, 20 Richard Meyer, Slasher Story, 32 Daniel Joseph Martinez and David Levi Strauss,
Spring 2005, Vol. 64, No. 1
In This Issue Patricia C. Phillips, Art of Attention, 3 Features Steven Nelson, Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode, 4 Elizabeth Mansfield, The New Iconoclasm, 20 Richard Meyer, Slasher Story, 32 Daniel Joseph Martinez and David Levi Strauss,
Winter 2006, Vol. 65, No. 4
In This Issue Patricia C. Phillips, On Locations, 5 Features Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives, 6 Marquard Smith, Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok,
Winter 2006, Vol. 65, No. 4
In This Issue Patricia C. Phillips, On Locations, 5 Features Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives, 6 Marquard Smith, Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok,
Winter 2007, Vol. 66, No. 4
In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6 Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22 Lin + Lam,
Winter 2007, Vol. 66, No. 4
In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6 Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22 Lin + Lam,
Fall 2006, Vol. 65, No. 3
In This Issue Patricia C. Phillips, Remediations—Re-viewing Art, 5 Features Frazer Ward, Alien Durations: Tehching Hsieh, 1978–99, 6 Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, The Role of
Fall 2006, Vol. 65, No. 3
In This Issue Patricia C. Phillips, Remediations—Re-viewing Art, 5 Features Frazer Ward, Alien Durations: Tehching Hsieh, 1978–99, 6 Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, The Role of
Summer 2006, Vol. 65, No. 2
In This Issue Patricia C. Phillips, Art That Insists: Persistence with Urgency, 5 Features Perry Bard,
Summer 2006, Vol. 65, No. 2
In This Issue Patricia C. Phillips, Art That Insists: Persistence with Urgency, 5 Features Perry Bard,
Spring 2006, Vol. 65, No. 1
In This Issue Patricia C. Phillips, Positionings, 5 Features David Raskin, The Shiny Illusionism of Krauss and Judd, 6 Derek Conrad Murray and Soraya Murray, Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity, 22 Artists’ Project Helaine Posner,
Spring 2006, Vol. 65, No. 1
In This Issue Patricia C. Phillips, Positionings, 5 Features David Raskin, The Shiny Illusionism of Krauss and Judd, 6 Derek Conrad Murray and Soraya Murray, Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity, 22 Artists’ Project Helaine Posner,
Fall 2007, Vol. 66, No. 3
In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger’s Twelve, 6 Kate Mondloch, Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art, 20 Forum: The Look of Law
Fall 2007, Vol. 66, No. 3
In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger’s Twelve, 6 Kate Mondloch, Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art, 20 Forum: The Look of Law
Summer 2007, Vol. 66, No. 2
In This Issue Judith F. Rodenbeck, Crossing Memory’s Green Line—Contemporary Art in Beirut, 5 Features Sarah RogersOut of History: Postwar Art in Beirut, 8 Laura U. Marks, Dangerous Gifts: Lamia Joreige’s Objects of War, 21 Lamia Joreige, Objects of War,
Summer 2007, Vol. 66, No. 2
In This Issue Judith F. Rodenbeck, Crossing Memory’s Green Line—Contemporary Art in Beirut, 5 Features Sarah RogersOut of History: Postwar Art in Beirut, 8 Laura U. Marks, Dangerous Gifts: Lamia Joreige’s Objects of War, 21 Lamia Joreige, Objects of War,
Spring 2009, Vol. 68, No. 1
In This Issue Judith F. Rodenbeck, Retooling, 5 Features Joanna Grabski, Urban Claims and Visual Sources in the Making of Dakar’s Art World City, 6 Gail Gelburd, Cuba and the Art of “Trading with the Enemy”, 24 Susette S. Min,
Spring 2009, Vol. 68, No. 1
In This Issue Judith F. Rodenbeck, Retooling, 5 Features Joanna Grabski, Urban Claims and Visual Sources in the Making of Dakar’s Art World City, 6 Gail Gelburd, Cuba and the Art of “Trading with the Enemy”, 24 Susette S. Min,
Spring 2007, Vol. 66, No. 1
In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, 8 Rachel Weiss, Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana, 10 Robert Blackson, Once
Spring 2007, Vol. 66, No. 1
In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, 8 Rachel Weiss, Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana, 10 Robert Blackson, Once
Fall 2010, Vol. 69, No. 3
In This Issue Katy Siegel, War and Other Disasters, 5 Features Kerry James Marshall, P-Van, from Dailies, inside covers Walid Raad, Appendix XVIII: Plates 88–107, 7 David McCarthy, David Smith’s Spectres of War and Peace, 20 Cécile Whiting, California War
Fall 2010, Vol. 69, No. 3
In This Issue Katy Siegel, War and Other Disasters, 5 Features Kerry James Marshall, P-Van, from Dailies, inside covers Walid Raad, Appendix XVIII: Plates 88–107, 7 David McCarthy, David Smith’s Spectres of War and Peace, 20 Cécile Whiting, California War
Spring—Summer 2010, Vol. 69, No. 1—2
In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate
Spring—Summer 2010, Vol. 69, No. 1—2
In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate
Winter 2009, Vol. 68, No. 4
In This Issue Judith F. Rodenbeck, The Shape of Time, 5 Features Qadri Ismail, Bound Together: On a Book of Antiwar Sri Lankan Drawings, 6 Nissim Gal. Bare Life: The Refugee in Contemporary Israeli Art and Critical Discourse, 24 Artists’
Winter 2009, Vol. 68, No. 4
In This Issue Judith F. Rodenbeck, The Shape of Time, 5 Features Qadri Ismail, Bound Together: On a Book of Antiwar Sri Lankan Drawings, 6 Nissim Gal. Bare Life: The Refugee in Contemporary Israeli Art and Critical Discourse, 24 Artists’
Fall 2009, Vol. 68, No. 3
In This Issue Judith F. Rodenbeck, Models and Propositions, 5 Features Hajime Nakatani, Imperious Griffonage: Xu Bing and the Graphic Regime, 6 Seth McCormick, Reiko Tomii, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto, with a response by Alexandra Munroe, Exhibition
Fall 2009, Vol. 68, No. 3
In This Issue Judith F. Rodenbeck, Models and Propositions, 5 Features Hajime Nakatani, Imperious Griffonage: Xu Bing and the Graphic Regime, 6 Seth McCormick, Reiko Tomii, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto, with a response by Alexandra Munroe, Exhibition
Summer 2009, Vol. 68, No. 2
In This Issue Judith F. Rodenbeck, Marking, 5 Features Juliet Bellow, Fashioning Cléopâtre: Sonia Delaunay’s New Woman, 6 Nell Andrew, Living Art: Akarova and the Belgian Avant-Garde, 26 Kate Elswit, Accessing Unison in the Age of Its Mechanical Reproducibility, 50
Summer 2009, Vol. 68, No. 2
In This Issue Judith F. Rodenbeck, Marking, 5 Features Juliet Bellow, Fashioning Cléopâtre: Sonia Delaunay’s New Woman, 6 Nell Andrew, Living Art: Akarova and the Belgian Avant-Garde, 26 Kate Elswit, Accessing Unison in the Age of Its Mechanical Reproducibility, 50
Spring 2008, Vol. 67, No. 1
In This Issue Judith F. Rodenbeck, The Science of the Concrete, 5 Artist’s Project Lane Relyea, Debris and Immobility, 6 Heather Mekkelson, Debris Field, 9 Forum: Assemblage and Bricolage Julia Kelly, The Anthropology of Assemblage, 24 Anna Dezeuze, Assemblage, Bricolage,
Spring 2008, Vol. 67, No. 1
In This Issue Judith F. Rodenbeck, The Science of the Concrete, 5 Artist’s Project Lane Relyea, Debris and Immobility, 6 Heather Mekkelson, Debris Field, 9 Forum: Assemblage and Bricolage Julia Kelly, The Anthropology of Assemblage, 24 Anna Dezeuze, Assemblage, Bricolage,
Summer 2008, Vol. 67, No. 2
In This Issue Judith F. RodenbeckMaterial Experience, 5 Features Kymberly N. Pinder, Unbaled: An Interview with Shinique Smith, 6 Paula Birnbaum, Elaine Reichek: Pixels, Bytes, and Stitches, 18 Laura Leffler James, Convergence: History, Materials, and the Human Hand—An Interview with
Summer 2008, Vol. 67, No. 2
In This Issue Judith F. RodenbeckMaterial Experience, 5 Features Kymberly N. Pinder, Unbaled: An Interview with Shinique Smith, 6 Paula Birnbaum, Elaine Reichek: Pixels, Bytes, and Stitches, 18 Laura Leffler James, Convergence: History, Materials, and the Human Hand—An Interview with
Winter 2008, Vol. 67, No. 4
In This Issue Judith F. Rodenbeck, Notes on Parrhesia, 5 Forum: I’ll Be Your Mirror, or Why and How Do We Work on Living Artists Suzanne Hudson, Why and How Do We Work on Living Artists, 8 Agnes Berecz, Painting
Winter 2008, Vol. 67, No. 4
In This Issue Judith F. Rodenbeck, Notes on Parrhesia, 5 Forum: I’ll Be Your Mirror, or Why and How Do We Work on Living Artists Suzanne Hudson, Why and How Do We Work on Living Artists, 8 Agnes Berecz, Painting
