Features
Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6
Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16
Forum: Conversations on Queer Affect and Queer Archives
Tirza True Latimer, Introduction, 24
Veronica Friedman, Pages from monthly planners, 1980 and 1981. Veronica Friedman Papers, Gay, Lesbian, Bisexual, Transgender Historical Society, San Francisco (photograph © Barbara McBane).
Eve Fowler, 62 Books, 38
E. G. Crichton, Migrating Archives, 50
Tina Takemoto, Notes on Internment Camp, 54
Barbara McBane,Veronica’s Ghost: Queer Time and the Porous Archive, 58
Ulrike Müller with Corrine Fitzpatrick, Putting the Invent in Inventory: Ulrike Müller Speaks with Corrine Fitzpatrick. 64
Tammy Rae Carland Ann Cvetkovich, Sharing an Archive of Feelings: A Conversation, 70
Zoe Leonard, Analogue, 78
Julia Bryan-Wilson and Cheryl Dunye, Imaginary Archives: A Dialogue, 82
Henrik Olesen, Some Faggy Gestures, 90
Zackary Drucker, Bring Your Own Body: The Story of Lynn Harris, 98
Kaucyila Brooke, Kathy Acker’s Clothes, 104
Thomas Lax and Jeannine Tang, Queer Pier: 40 Years, 106
Reviews
Namiko Kunimoto on Ming Tiampo and Alexandra Munroe, eds., Gutai: Splendid Playground, and the exhibition Gutai: Splendid Playground, Guggenheim Museum, New York, 2013; Sarah Betzer on Margaret Iversen and Stephen Melville, Writing Art History: Disciplinary Departures; Noah Simblist on Meg McLagan and Yates McKee, eds., Sensible Politics: The Visual Culture of Nongovernmental Activism, and Ariella Azoulay, Civil Imagination: A Political Ontology of Photography; and Stephanie Schwartz on Steve Edwards, Martha Rosler: The Bowery in Two Inadequate Descriptive Systems