In This Issue
Features
María Fernández, Detached from HiStory: Jasia Reichardt and Cybernetic Serendipty, 6
Midori Yoshimoto, From Space to Environment: The Origins of Kankyō and the Emergence of Intermedia Art in Japan, 24
Yates McKee, The Public Sensoriums of Pulsa: Cybernetic Abstraction and the Biopolitics of Urban Survival, 46
Artist’s Project
Jordan Crandall, Showing, 68
Features
Jonathan Thomas, Michael Haneke’s New(s) Images, 80
William Kaizen, Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson, 86
Reviews
Kaira M. Cabañas on Tom McDonough, “The Beautiful Language of My Century”: Reinventing the Language of Contestation in Postwar France, 1945–1968; Noah Chasin on Stanley Mathews, From Agit-Prop to Free Space: The Architecture of Cedric Price, and Felicity D. Scott, Architecture or Techno-Utopia: Politics after Modernism; and Ikem Stanley Okoye on Steven Nelson, From Cameroon to Paris: Mousgoum Architecture In and Out of Africa