Karin Higa: A Collage of Remembrances, 5
Artist’s Project
Sara Greenberger Rafferty, Grabs, 1, 47, 64, 82, 91, 104
Features
Sara Greenberger Rafferty, PDF Hoarding, 2014, photographs, 10 x 8¼ in. (25.4 x 21 cm)
Matthew Goulish, “A Clear Day and No Memories”: Neurology, Philosophy, and Analogy in Kerry Tribe’s H.M., 12
Atreyee Gupta, In a Postcolonial Diction: Postwar Abstraction and the Aesthetics of Modernization, 30
Sami Siegelbaum, Business Casual: Flexibility in Contemporary Performance Art, 48
April Durham, Networked Bodies in Cyberspace: Orchestrating the Trans-Subjective in the Video Artworks of Natalie Bookchin, 66
Reviews
Liam Considine on Kaira M. Cabañas, The Myth of Nouveau Réalisme: Art and the Performative in Postwar France; Amy Lyford on Jacqueline Francis, Making Race: Modernism and “Racial Art” in America, and ShiPu Wang, Becoming American? The Art and Identity Crisis of Yasuo Kuniyoshi; Jessica Santone on Frazer Ward, No Innocent Bystanders: Performance Art and Audience