Posts Tagged: vol67
Spring 2008, Vol. 67, No. 1
In This Issue Judith F. Rodenbeck, The Science of the Concrete, 5 Artist’s Project Lane Relyea, Debris and Immobility, 6 Heather Mekkelson, Debris Field, 9 Forum: Assemblage and Bricolage Julia Kelly, The Anthropology of Assemblage, 24 Anna Dezeuze, Assemblage, Bricolage,
Spring 2008, Vol. 67, No. 1
In This Issue Judith F. Rodenbeck, The Science of the Concrete, 5 Artist’s Project Lane Relyea, Debris and Immobility, 6 Heather Mekkelson, Debris Field, 9 Forum: Assemblage and Bricolage Julia Kelly, The Anthropology of Assemblage, 24 Anna Dezeuze, Assemblage, Bricolage,
Summer 2008, Vol. 67, No. 2
In This Issue Judith F. RodenbeckMaterial Experience, 5 Features Kymberly N. Pinder, Unbaled: An Interview with Shinique Smith, 6 Paula Birnbaum, Elaine Reichek: Pixels, Bytes, and Stitches, 18 Laura Leffler James, Convergence: History, Materials, and the Human Hand—An Interview with
Summer 2008, Vol. 67, No. 2
In This Issue Judith F. RodenbeckMaterial Experience, 5 Features Kymberly N. Pinder, Unbaled: An Interview with Shinique Smith, 6 Paula Birnbaum, Elaine Reichek: Pixels, Bytes, and Stitches, 18 Laura Leffler James, Convergence: History, Materials, and the Human Hand—An Interview with
Winter 2008, Vol. 67, No. 4
In This Issue Judith F. Rodenbeck, Notes on Parrhesia, 5 Forum: I’ll Be Your Mirror, or Why and How Do We Work on Living Artists Suzanne Hudson, Why and How Do We Work on Living Artists, 8 Agnes Berecz, Painting
Winter 2008, Vol. 67, No. 4
In This Issue Judith F. Rodenbeck, Notes on Parrhesia, 5 Forum: I’ll Be Your Mirror, or Why and How Do We Work on Living Artists Suzanne Hudson, Why and How Do We Work on Living Artists, 8 Agnes Berecz, Painting
