Winter 2004, Vol. 63, No. 4

In This Issue Patricia C. Phillips, Unsettled Imaginations, 3 Feature Raymond Spiteri, Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes, 4 Artist Project Sze Tsung Leong, History Images, 19 Christopher Phillips, Drastic Urbanization: The Photographs of Sze

Fall 2004, Vol. 63, No. 3

In This Issue Patricia C. Phillips, Art and Risk, 3 Features Alejandro Anreus, The Road to Dystopia: The Paintings of Antonia Eiriz, 4 Branislav Jakovljevic, Unframe Malevich!—Ineffability and Sublimity in Suprematism, 18 Artist Project Eve Andrée Laramée, Netherzone: A Psychogeographical

Summer 2004, Vol. 63, No. 2

In This Issue Patricia C. Phillips, Questions of Influence: Influence of Questions, 3 Feature Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle, 4 Thematic Investigation, James Meyer and Toni RossAesthetic/Anti-Aesthetic: An Introduction, 20 Arthur C. Danto,

Spring 2004, Vol. 63, No. 1

In This Issue Patricia C. Phillips, Aesthetic Practices, 3 Features Janine Mileaf, Between You and Me: Man Ray’s “Object to be Destroyed”, 4 Jordana Mendelson, Joan Miró’s “Drawing-Collage,” August 8, 1933: The “Intellectual Obscenities” of Postcards, 24 Project Nato Thompson,