Posts Tagged: No. 2
Summer 2013, Vol. 72, No. 2
Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives
Summer 2013, Vol. 72, No. 2
Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives
Summer 2012, Vol. 71, No. 2
In This Issue Katy Siegel, What are you working on?, 5 Artist’s Project Lorraine O’Grady, This Will Have Been: My 1980s, 6 Features Kate Mondloch, The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism, 18 Alex
Summer 2012, Vol. 71, No. 2
In This Issue Katy Siegel, What are you working on?, 5 Artist’s Project Lorraine O’Grady, This Will Have Been: My 1980s, 6 Features Kate Mondloch, The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism, 18 Alex
Spring—Summer 2010, Vol. 69, No. 1—2
In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate
Spring—Summer 2010, Vol. 69, No. 1—2
In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate