Posts Tagged: 2007
Winter 2007, Vol. 66, No. 4
In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6 Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22 Lin + Lam,
Winter 2007, Vol. 66, No. 4
In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6 Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22 Lin + Lam,
Fall 2007, Vol. 66, No. 3
In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger’s Twelve, 6 Kate Mondloch, Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art, 20 Forum: The Look of Law
Fall 2007, Vol. 66, No. 3
In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger’s Twelve, 6 Kate Mondloch, Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art, 20 Forum: The Look of Law
Summer 2007, Vol. 66, No. 2
In This Issue Judith F. Rodenbeck, Crossing Memory’s Green Line—Contemporary Art in Beirut, 5 Features Sarah RogersOut of History: Postwar Art in Beirut, 8 Laura U. Marks, Dangerous Gifts: Lamia Joreige’s Objects of War, 21 Lamia Joreige, Objects of War,
Summer 2007, Vol. 66, No. 2
In This Issue Judith F. Rodenbeck, Crossing Memory’s Green Line—Contemporary Art in Beirut, 5 Features Sarah RogersOut of History: Postwar Art in Beirut, 8 Laura U. Marks, Dangerous Gifts: Lamia Joreige’s Objects of War, 21 Lamia Joreige, Objects of War,
Spring 2007, Vol. 66, No. 1
In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, 8 Rachel Weiss, Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana, 10 Robert Blackson, Once
Spring 2007, Vol. 66, No. 1
In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, 8 Rachel Weiss, Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana, 10 Robert Blackson, Once