Posts Tagged: 2002

Winter 2002, Vol. 61, No. 4

In This Issue Patricia C. Phillips, At This Time, 3 Features and Artists’ Projects Kevin Chua, Simryn Gill and Migration’s Capital, 4 Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22 Martin Gantman, See you when we get home, 36

Winter 2002, Vol. 61, No. 4

In This Issue Patricia C. Phillips, At This Time, 3 Features and Artists’ Projects Kevin Chua, Simryn Gill and Migration’s Capital, 4 Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22 Martin Gantman, See you when we get home, 36

Fall 2002, Vol. 61, No. 3

In This Issue Janet A. Kaplan, 3 Artist’s Project Ben Katchor, Hotel & Farm, 4 Features Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7 Hattie Gordon, Anne Wilson’s Feast, 23 Daniel Rosenberg, One Small Step (for

Fall 2002, Vol. 61, No. 3

In This Issue Janet A. Kaplan, 3 Artist’s Project Ben Katchor, Hotel & Farm, 4 Features Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7 Hattie Gordon, Anne Wilson’s Feast, 23 Daniel Rosenberg, One Small Step (for

Summer 2002, Vol. 61, No. 2

In This Issue Janet A. Kaplan, 3 Artist’s Project Doug Fishbone, A Giant Pile of Bananas—Can You Dig It? Features

Summer 2002, Vol. 61, No. 2

In This Issue Janet A. Kaplan, 3 Artist’s Project Doug Fishbone, A Giant Pile of Bananas—Can You Dig It? Features

Spring 2002, Vol. 61, No. 1

In This Issue Janet A. Kaplan, 3 Features Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4 Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26 Catherine Lord, From

Spring 2002, Vol. 61, No. 1

In This Issue Janet A. Kaplan, 3 Features Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4 Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26 Catherine Lord, From